For a recent personal shoot I wanted to create some imagery that really got across the concept of going running in Winter. I’ve been a runner since my teens, although I’m not very fast I do keep going all year round, and personally prefer to be out in Autumn and Winter rather than the heat of summer. The concept I’m after in the shots is what one of those really grey winter days feels like. There’s no sun in the sky, and the whole landscape is drained of colour. There’s mud everywhere, and a fairly cold wind, but you go running anyway.
Even though it’s a personal shoot, I still plan it as if it was a job. I check the weather – I’d like it to be cloudy and overcast of course. I choose an appropriate subject, in this case my friend Simon, a very serious runner. And I search for the right location.
For the location, having recently moved to the area, I’ve got a few ideas, so I scour the OS map and find somewhere with lots of tightly bunched contours, trails, and trees. Then, I head out and investigate on foot. Long experience has taught me that there’s simply no substitute for checking a location out in person, even though it’s more time consuming than just doing it online.
There’s a real knack to looking at a location, and seeing the final shots in it. Never forget when location scouting that we have 2 eyes, and a camera only has one, and we usually view the world from head height. To get a better feel for how things will look on camera, there’s simply no substitute for taking as many shots as you think you’ll need, and it’s well worth varying your angle as much as you can – look up, look down, climb up things, or lie down on things.
The weather at the start of the shoot was perfect – grey and gloomy, but unfortunately within half an hour or so, the sun came out. Great news for everyone who was out on their bikes that day, or going out for a nice walk, but less good for the shots I had in mind.
Rather than get back in the car and give up, I opted to use spots where the sun would have little effect. So, I searched out the deepest, thickest parts of the wood, where the trees masked pretty much all the sunlight.
Or, I chose angles where even though the sun is visible, it’s not adding any colour to the shots, or changing the mood in any way. This shot has such a dark backdrop behind Simon, and there’s so little colour in the frame, that even though the sun is out, it still fits the mood
Above all, the concept of the shoot is what matters. If circumstances change, but you’ve got a good technical base, enough creativity and ingenuity to work around it, and the concept itself is strong enough, you still stand a good chance of coming home with the goods. You may have to adapt what you’re doing, or chuck out some of your original ideas, but as long as you’ve got a clear idea of what your concept is you can simply find other ways of illustrating it.
Don’t be afraid to abandon some of your original plans. I’d hoped to use this fantastically shaped fallen tree in one of the final shots, but it’s in a fairly exposed spot, and as such, had a lot of sun on it, so although I took a few frames of Simon running past, they didn’t make the final cut, as the mood is much brighter than the “wintry” look I was after.
So don’t panic if the sun comes out, or goes in, or it starts to rain, snow, or heavy fog builds up. You’re only really in trouble if you can’t get your concept across, and they may be all sorts of ways to do that.