I’ll be running another Urban Action and Parkour course for Nikon in Central London on Saturday the 20th October. It’s the 3rd time we’ve put one on, and
I’m running another experiential course with Nikon in London, and this time we’ll be shooting some fast moving Parkour action. We’ll be working with the very experienced (and
I shoot on location in Central London dozens of time every year, by which I mean I’m shooting a commercial job, outside, usually in a public space, rather
OK, I’ve written in the past about how not to approach photographers for work, so what does the perfect assistant CV look like? First off, simply reverse everything
A couple of posts ago I promised I’d share some anecdotal evidence of “assistant etiquette”, namely how not to do things. Well, here are a few tales that
You will often hear me repeat the caveat that all photographers are different, and yet I still think there is a broad range of technical skills that any
Despite the obvious fact that all photographers will work slightly differently, have different expectations from an assistant, and that each shoot will be different, there are several things
Studio assisting used to be seen as a very happy medium between full time and freelancing, but in the current economic climate (how often is that phrase used
